newvillefan
I Know My First Name Is Stephen
Some thoughts on this song...given Tony Peluso's untimely passing and also Richard's comments on the 'Sayonara Carpenters' 1983 special.
Richard said in the closing segment of that 1983 special that this (Tony Peluso) track was especially difficult to complete. I would love to know why. Has anyone actually ever asked Richard this through the website? Listening to it, it sounds like a fairly simple song, and all the vocals are intact and complete. No major key changes or anything. So what was difficult about completing it as a track?
This is where I think a book of the Carpenters recorded history would be an invaluable, indelible landmark on the book scene of popular recorded music forever captured. Surely now, enough time has passed that he could undertake such a microscopic project?
I can't stress this enough how valuable this would be to us fans. Richard is in his 60s now and has so much that he could draw upon from the entourage that surrounded them from their recording debut in 1966 to present.
Look at Benny and Bjorn from ABBA. They have entertained many, many hours with Carl Magnus Palm covering released and unreleased tracks, coupled with photographers' dates, recording dates etc. We have those anecdotes and recorded notes taken from vaults forever. We've not necessarily heard the outtakes, but at least it would be lovely for someone to capture all of this as a portfolio of an artist's career. Who were the photographers during the tours? What were their observations?
My question is: with his methodical approach to the conservation of their legacy, has Richard considered any of the above?
He participated in (but didn't particularly like) the Coleman Biography as an experience which I think we all respect him for, but he's always said her voice and stature as an artist should always take precedence over her personal situation.
He wants his sister's voice and legacy to live on. He's achieved that musically. Given that he's a factual, archival kind of person, why not a chronological, factual account of their A&M History to accompany that? A book documenting all of this would be amazing.
Or has no one suitably qualified approached him? Or have they done and he's said no?
Richard said in the closing segment of that 1983 special that this (Tony Peluso) track was especially difficult to complete. I would love to know why. Has anyone actually ever asked Richard this through the website? Listening to it, it sounds like a fairly simple song, and all the vocals are intact and complete. No major key changes or anything. So what was difficult about completing it as a track?
This is where I think a book of the Carpenters recorded history would be an invaluable, indelible landmark on the book scene of popular recorded music forever captured. Surely now, enough time has passed that he could undertake such a microscopic project?
I can't stress this enough how valuable this would be to us fans. Richard is in his 60s now and has so much that he could draw upon from the entourage that surrounded them from their recording debut in 1966 to present.
Look at Benny and Bjorn from ABBA. They have entertained many, many hours with Carl Magnus Palm covering released and unreleased tracks, coupled with photographers' dates, recording dates etc. We have those anecdotes and recorded notes taken from vaults forever. We've not necessarily heard the outtakes, but at least it would be lovely for someone to capture all of this as a portfolio of an artist's career. Who were the photographers during the tours? What were their observations?
My question is: with his methodical approach to the conservation of their legacy, has Richard considered any of the above?
He participated in (but didn't particularly like) the Coleman Biography as an experience which I think we all respect him for, but he's always said her voice and stature as an artist should always take precedence over her personal situation.
He wants his sister's voice and legacy to live on. He's achieved that musically. Given that he's a factual, archival kind of person, why not a chronological, factual account of their A&M History to accompany that? A book documenting all of this would be amazing.
Or has no one suitably qualified approached him? Or have they done and he's said no?